
Charlotte Nevins
Dancer, Singer, Artist

​About Me
Charlotte Nevins was born and raised in Nassau, Bahamas where her dance training began in a variety of styles including ballet, jazz, tap, hip-hop, contemporary, and acrobatics under the instruction of Nonny Price. At this time, she performed for various exclusive hotels and private country clubs.
Charlotte received her Bachelor of Fine Arts in Dance and a Minor in Business Management from Point Park University. She has ambitions to travel the world and explore performing arts in various countries, broadening her horizons and expectations of what dance can be through cruises, tours, and freelancing, utilizing the singing, dancing, and acting skills she honed in university.
Charlotte was awarded the Hubert Farrington Special Award for Excellence in Dance from the Bahamas National Arts Festival and performed for Dame Marguerite Pindling at Government House. She has been featured in various works at university including Kiki Lucas’ ‘1964’ as well as external productions such as ‘Benny’ by Rocker Verastique, presented at the Shenley Park Open Air Theatre. She was also a swing for both the female and male ensemble of Rodgers and Hammerstein's 'Cinderella' at the Pittsburgh Playhouse, directed by Tomé Cousin with choreography by Eileen Grace Reynolds. Charlotte has also performed with The Pillow Project at the Space Upstairs in Pearlann Porter's work, (in person). She can currently be seen performing as Karessa in Jonathan Larson's 'Tick, Tick...Boom!' at The Theatre Palisades in Los Angeles, California.

Mission Statement
I aim to welcome others into my art by experiencing and evoking emotions through the work I engage in. I value individuality, authenticity, and intellectual curiosity about the creative process and performance.
Vision Statement
I envision:
A world that respects and values art and artists.
A world where people want to engage with that which they do not understand.
A world where everyone feels supported to be whoever they are, without shame or apology.

